• Books by Sarah Rayne
    Books by Sarah Rayne
    Books by Sarah Rayne
  • Death Notes by Sarah Rayne
    Death Notes by Sarah Rayne
    Death Notes by Sarah Rayne
  • Deadlight Hall by Sarah Rayne
    Deadlight Hall by Sarah Rayne
    Deadlight Hall by Sarah Rayne
  • The Bell Tower by Sarah Rayne
    The Bell Tower by Sarah Rayne
    The Bell Tower by Sarah Rayne

Sarah Rayne is the author of a number of acclaimed psychological thrillers and haunted house books. Here’s an introduction to her work, starting with the popular Phineas Fox series.

Phineas Fox Books

Death Notes, the first of the psychological mystery thrillers featuring the music historian and professional researcher, Phineas Fox, was published in 2016. There are now five books in the series:
Death Notes (2016)
Chord of Evil (2017)
Song of the Damned (2018)
Music Macabre (2019)
The Devil’s Harmony (2020)

“If future installments are as gripping and intricately plotted as this one, it could have a long run…” Booklist, on Death Notes
“Fans of erudite mysteries with a musical slant are in for a treat” Publishers Weekly on Song of the Damned

The Haunted House Books

Sarah’s haunted house series, featuring the Oxford don, Michael Flint and the antiques dealer, Nell West, has received high praise from the critics, and the books have been described as ‘eruditely eerie’.

There are six novels in the series, and although they can be read individually, it’s probably a good idea to start with Book One, Property of a Lady.

“The haunted-house theme is one of the most venerable in the genre, and Rayne has given it new life in this series, drawing again and again on the secrets (and the horrors) contained within structures built originally to keep us safe…” Booklist

“Rayne perfects the craft of deftly chosen details, simmering suspense and chilling surprises, all woven into a quiet, elegant narrative.”  Kirkus

Watch Sarah Rayne talking about her acclaimed haunted house series, and the inspiration behind the books and the ghosts that walk through them.

 

The Psychological Thrillers

 

These are six stand-alone books, and have all received high praise, with Tower of Silence long-listed for the prestigious Theakston’s Crime Novel of the Year.

“Equal parts Daphne du Maurier, Josephine Tey and Ruth Rendell…  Rayne possesses superb story-telling skills…”  US Mystery Guild

“Had me both absorbed and fascinated as well as scared stiff…  Wonderful stuff!”  Euro Crime

Contemporary Horror

Sarah Rayne’s six contemporary horror books have recently been reissued in digital format. They were originally written under the pseudonym of Frances Gordon, and Blood Ritual was described by Time Out as “A superior example of the vampire genre…”

The three Immortal Tales titles are re-telling of traditional fairytales, and include the eerie Wildwood – the modern-day version of Little Red Riding Hood.

Fantasy Quartet

Sarah’s widely-read fantasy books – the Wolfking quartet, first written and published in the early 1990s – have recently been re-issued in digital format.

There are four novels in the fantasy series. It is recommended that you start with Wolfking.

“Delicately wrought…”  The Times

“Before long you find yourself engrossed…”  Fear

“Perhaps the best fantasy on Celtic legend that I’ve ever read…” Lester Del Rey

Short Stories

To date, Sarah has written and published four short stories:
The Unknown Crime
The Forgotten Manuscript
A Clever Evil
A Strange Retribution
These are available in the short-story collection, Crimes and Punishments.

As well as being published in America and Australia, Sarah’s books have been translated into German, Dutch, Russian, and Turkish.

Read more about Sarah RayneFacebook-contactYoutube

Sarah Rayne began writing in her teens, and after a Convent education, which included writing plays for the Lower Third to perform, embarked on a variety of jobs.

Her first novel was published in 1982, and since then she has written more than 25 books, including eight psychological thrillers which met with considerable acclaim, with Tower of Silence long-listed for the prestigious Theakston’s Crime Novel of the Year.

Her haunted house series, featuring the Oxford don, Michael Flint and the antiques dealer, Nell West, has receivedhigh praise from critics, and the books have been described as ‘eruditely eerie’.

2016 sees the start of a new series of psychological thrillers, focussing on a music researcher, Phineas Fox.The first title in the series is Death Notes.

Sarah’s famous fantasy books – the Wolfking quartet, first written and published in the early 1990s – have recently been re-issued in digital format, as have six contemporary horror books originally written under a pseudonym.

Short stories to date are The Unknown Crime, The Forgotten Manuscript, and The Masquerade.

As well as being published in America and Australia, Sarah’s books have been translated into German, Dutch, Russian, and Turkish.

The daughter of an Irish comedy actor, Sarah was for many years active in amateur theatre, and lists among her hobbies, theatre, history, music, and old houses. Much of her inspiration comes from the histories and atmospheres of old buildings, a fact that is strongly apparent in many of her settings – Charect House in Property of a Lady, Twygrist Mill in Spider Light, andMortmain House in A Dark Dividing.Music also influences a number of her plots –the eerie death lament, ‘Thaisa’s Song’ in The Bell Tower, the music hall songs in Ghost Song, and the creation of the scandalous 19th century violinist, Roman Wolf, in Death Notes.

 

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The Books

The Articles

RIPPING OFF THE VILLAIN

The creation of a villain can be a surprisingly fascinating exercise.  There are so many roles they can be allotted.  For starters, it’s usually necessary – and hopefully interesting for the reader – to show their multi-layered lives, because they aren’t always... read more

PUTTING A BOOK TO BED

Finishing the writing of any book is a curiously mixed experience. There’s a sense of achievement and even a muted delight because you finally got there. But there’s also hideous doubt, because although you got there, you’re no longer sure if it’s as good as it seemed... read more

WRITING THE MUSIC AND COMPOSING THE PLOT

Music has frequently been a catalyst for me in the creating of a plot, and it seems to have found its way into a good many of my books.  There’s the eerie death lament, ‘Thaisa’s Song’ in The Bell Tower, and the music hall songs in Ghost Song.  More recently, there’s... read more

LOCKING DOWN PLOTS AND ZOOMING INTO MEETINGS

There are always decisions to be made during the writing of a book. Usually these are straightforward and familiar – for example, should a character be killed off in Chapter Three, or can the tension be stretched out until, say, Chapter Eight? There are also the... read more